889 безплатни аудиофайлове за "Erik Van Der Luijt"

Sveriges Radios folkmusikinspelningar. Norsk-svensk spelmansstämma. Dokumentatör: Matts Arnberg (Q5559459), Rolf Myklebust (Q11998273) Radiotjänsts ursprungliga produktionsnummer: MT 60/198

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the third piece in a set of three composed before the three works explicitly titled Gnossienne, but not published until after the composer's death, and not originally titled Gnossienne or numbered as such, and the sixth piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

Sveriges Radios folkmusikinspelningar. Spelmansstämma i Leksand. Dokumentatör: Radiotjänsts ursprungliga produktionsnummer: 51/15093

Sveriges Radios folkmusikinspelningar. Spelmansstämma i Leksand. Dokumentatör: Radiotjänsts ursprungliga produktionsnummer: 51/15093

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the second piece in a set of three published in 1893, and the second piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the seventh piece of what ultimately became seven works that shared the name Gnossienne. It was recently discovered, was not dated, and was not explicitly named Gnossienne or numbered as such. This rendition was performed by the La Pianista.

Sveriges Radios folkmusikinspelningar. Spelmansstämma i Leksand. Dokumentatör: Radiotjänsts ursprungliga produktionsnummer: 51/15093

Sveriges Radios folkmusikinspelningar. Dokumentatör: Matts Arnberg (Q5559459) Radiotjänsts ursprungliga produktionsnummer: 55/1264 Sv:1:7

Sveriges Radios folkmusikinspelningar. Norsk-svensk spelmansstämma. Dokumentatör: Matts Arnberg (Q5559459), Rolf Myklebust (Q11998273) Radiotjänsts ursprungliga produktionsnummer: MT 60/198

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the third piece in a set of three published in 1893, and the third piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

Sveriges Radios folkmusikinspelningar. Dokumentatör: Matts Arnberg (Q5559459) Radiotjänsts ursprungliga produktionsnummer: 55/1264 Sv:1:6

Sveriges Radios folkmusikinspelningar. Norsk-svensk spelmansstämma. Dokumentatör: Matts Arnberg (Q5559459), Rolf Myklebust (Q11998273) Radiotjänsts ursprungliga produktionsnummer: MT 60/198:8:2

Sveriges Radios folkmusikinspelningar. Norsk-svensk spelmansstämma. Dokumentatör: Matts Arnberg (Q5559459), Rolf Myklebust (Q11998273) Radiotjänsts ursprungliga produktionsnummer: MT 60/198:8:3

Sveriges Radios folkmusikinspelningar. Spelmansstämma i Leksand. Dokumentatör: Radiotjänsts ursprungliga produktionsnummer: 51/15093

Sveriges Radios folkmusikinspelningar. Norsk-svensk spelmansstämma. Dokumentatör: Matts Arnberg (Q5559459), Rolf Myklebust (Q11998273) Radiotjänsts ursprungliga produktionsnummer: MT 60/198:4:3

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the first piece in a set of three composed before the three works explicitly titled Gnossienne, but not published until after the composer's death, and not originally titled Gnossienne or numbered as such, and the fourth piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the first piece in a set of three published in 1893, and the first piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

Sveriges Radios folkmusikinspelningar. Dokumentatör: Matts Arnberg (Q5559459) Radiotjänsts ursprungliga produktionsnummer: 55/1264 Sv:1:5

Sveriges Radios folkmusikinspelningar. Spelmansstämma i Leksand. Dokumentatör: Radiotjänsts ursprungliga produktionsnummer: 51/15093

Sveriges Radios folkmusikinspelningar. Spelmansstämma i Leksand. Dokumentatör: Radiotjänsts ursprungliga produktionsnummer: 51/15093

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the second piece in a set of three composed before the three works explicitly titled Gnossienne, but not published until after the composer's death, and not originally titled Gnossienne or numbered as such, and the fifth piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

Sveriges Radios folkmusikinspelningar. Norsk-svensk spelmansstämma. Dokumentatör: Matts Arnberg (Q5559459), Rolf Myklebust (Q11998273) Radiotjänsts ursprungliga produktionsnummer: MT 60/198:4:4

Sveriges Radios folkmusikinspelningar. Spelmansstämma i Leksand. Dokumentatör: Radiotjänsts ursprungliga produktionsnummer: 51/15093

Prinz Eugen, der edle Ritter

Tonaufnahme einer Polyphon Lochplatte, abgespielt auf einer Plattenspieldose der Firma Polyphon-Musikwerke-AG. Lochplatte:Der Donauwalzer. Recording of the Music box by Polyphon-Musikwerke in Leipzig, Germany. Disk: The blue danube.

Es geht bei gedämpfter Trommel Klang (Ein Gotteshaus steht zu Köln am Rhein)

An der Saale hellem Strande

Der Ritter und die Magd

Ich bin der Doktor Eisenbart (Melodiefassung Mundorgel 1984)

Polyphon Spieldose: "Donauwalzer" von Johann Strauss (Sohn), 1890Polyphon Musicbox: "The Blue Danube" by Johann Strauss II

Lydfil fra Ruben-samlingen, 1) Der Trompeter von Säkkingen,Behüt’ dich Gott!; akt 2 af Victor Ernst Nessler, 2) Ikke-identificeret melodi, 3) Santa Lucia, traditionel Sound file from Ruben collection

Title/Work: Symphonie Nr.5 c-moll op.67 Content: Part 1 Genre(s): Symphonic Author(s)/(Composer(s): Ludwig van Beethoven (1770-1827) Music arranger(s): Lyricist(s): none Performer(s): Koninklijk Concertgebouworkest Conductor: Willem Mengelberg (1871-1951) Place of recording: unknown 1st release date: 1941 1st recording date:

Violin Sonata, Op. 96, first movement, bars 1-22

Beethoven, Symphony No. 9, finale, bars 116-123

Beschreibung Takt 1-8 des esten Satzes aus Beethovens Klaviersonate Opus 109

Takt 3 und 4 aus der vierten Variation des dritten Satzes von Beethovens Opus 109

Anfang des dritten Satzes aus Beethovens Opus 109

Takt 1-8 des esten Satzes aus Beethovens Klaviersonate Opus 109

Main subject of the fugal final movement of Beethoven's Sonata 29

Sound file of opening bars of "Adelaide" by Beethoven (piano reduction). Digital recording made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

Symphony 8, finale, bars 1-17

Symphony 8, finale bars 370-381

Beethoven Sonata in E flat Op 31 No 3 opening

Grosse Fuge piano duet arrangement, bars 1-10

Auguste van Biene - Broken Melody - circa 1907

Beethoven Quartet Op. 18 No.3, first movement, bars 156-162

Symphony no. 8, final bars 386-394

Beethoven Piano Sonata Op. 90, first movement bars 110-113

Second subject theme from the first movement of Beethoven's Piano Concerto No. 5 (Emperor)

Adagio-Thema des ersten Satzes aus Beethovens Opus 109